Tag: Afrika

Reflexões de Salvador: Tuesday, August 12, 2025

Forte da Capoeira
Tuesday’s theme turned out to be Capoeira and began with a visit to the Forte da Capoeira/Forte Santo Antônio.This site is an old fort that has been repurposed into a training space for various Capoeira academies, as well as the location of an exhibit that honors the legacies of Mestres Joao Pequeno and Joao Grande. The exhibit features classic photographs of the two masters playing Capoeira against one another. It also showed several instances of them wielding knives during a certain type of game in Capoeira.

The fort also features a magnificent representation of Ogun that one sees upon entering. Further, it contains a shrine dedicated to him where various visitors left coins as offerings.

Several mestres had spaces in the forte including Mestres Boca Rica, Bola Sete, Curió, Moraes, and Nenel. While there I visited the academies of Mestres Boca Rica and Mestre Curió (the only two open at the time). Each of these mestres’ academies were like museums. The walls of the Mestre Boca Rica’s academy were covered with posters, articles, awards, pictures, and other symbols of his many years in Capoeira. The walls Mestre Curió’s academy featured various representations of Afro-Brazilian religious traditions, Capoeira, and his decades long presence in the art, in addition to two shrines.

I spent a great deal of time visiting with Mestre Boca Rica, as he shared a great deal with me about his life in Capoeira including his travels, awards, various published works featuring him, and the masters that he’s produced. He took great pride in having produced many masters, considering them as a part of his legacy. He expressed his concern about the distortion of Capoeira’s history–particularly among Capoeiristas in the United States–with people denying its African origins. Further, he expressed his commitment to the maintenance of the art’s tradition and authenticity.

He and I also played some Capoeira music and sang songs together. I was so impressed by his generosity with his knowledge and his skill with the instruments, that I asked if I could return the next day to train with him on the various instruments one-on-one. To which he agreed.

Fundação Mestre Bimba
The final activity of the day was a visit to the academy of Mestre Nenel, son of Mestre Bimba and founder of the Função Mestre Bimba and the group Filhos de Bimba. His academy is located in Pelourinha in a small, but dynamic training space.

I arrived to find Mestre Nenel working on making instruments. I greeted him while I waited for class to start. I was soon joined by over a dozen other visitors, most of whom were from other Capoeira groups in the US, who had also come for class.

Class was taught by two of the mestre’s professors, who, due to the size of the group, divided the class into two groups and taught each group one at a time, with one group taking the floor after another. Their method of teaching was exceedingly efficient and made very effective use of the limited space. The highlight of the class however were the two-person drills, which focused on the application of various takedowns to different types of attacks. Despite my nineteen years in Capoeira, this phase of the class was the most interesting and also challenging. Finally, the class ended with a lively and energetic roda.

Reflexões de Salvador: Monday, August 11

Dique do Tororó
On Monday, we visited three locations–a central theme of the first two was the Orixa tradition in Brazil.

The first trip was to the Dique do Tororó features statues of various Orixas including Iansã, Nanã, Ogum, Oxalá, Oxossi, Oxum, Xangô, Iemanjá; in addition to, Ewá, Logun-Edé, Ossain, Oxumaré. This lake was a very inspiring site as it represents the inscription of African knowledges on the spatial environment. This was a constant element of being in Salvador–the seemingly ubiquitous visual representations of Africanness, especially as exemplified by the Orixas.

Further, given that they represent divine forces, elements of nature, social archetypes, and ethical values and practices–the various representations of the Orixas serve as a potent reminder of how people conceive of and celebrate the sacred in their day-to-day lives. Further, they illustrate how African spirituality functions as an anchor of personal and collective identity, as well as how the concepts and values that the Orixa exemplify possess enduring relevance and meaning in the lives of millions of people both in Brazil and around the world.

Museu Afro-Brasileiro-UFBA
Our second trip was to the Afro-Brazilian Museum contained exhibits on Afro-Brazilian spiritual traditions. It included clothes, paraphernalia, furniture, and various objects associated with the rituals and traditions of Candomblé. There were also items present from Nigeria, Benin, Senegal, and other parts of Africa that demonstrated the depth of continuity between Africa and Brazil.

A highlight of this museum was a collection of works by two artists depicting the orixas. One was a collection of carvings by artist Manoel Do Bomfim which, aesthetically, brings to mind art from the Edo Kingdom of Benin. The other collection was a piece titled “Mural dos Orixás” by Carybé (born Julio Paride Bernabó). It featured 27 panels displaying Orixás from both Yoruba (Ioruba) and Ewe-Fon (Jeje) traditions. It was visually striking in its interpolation of materials–wood, metal, shells, and so on. Further, its use of color produced highly evocative pieces that conveyed motion and energy, capturing the profound beauty and complexity of Candomblé.

Associação de Capoeira Angola Navio Negreiro (ACANNE)
That night I ventured out to my first Capoeira class, which was at the Associação de Capoeira Angola Navio Negreiro run by Mestre Renê Bitencourt, a student of Mestre Paulo dos Anjos, who was a student of Mestre Canjiquinha.

Mestre Renê teaches Capoeira Angola as a mindful, ancestral practice. He constantly emphasizes the importance of listening and observing–listeninig to the music and observing the other practitioner with whom one is playing. His emphasis on listening is analogous to something that my teacher, Mestre Preto Velho says, “Stay in time of the motion within the space of the jogo.” In this way, Mestre Renê taught the need to stay focused on what was happening in the jogo, while also reacting accordingly to the other Capoeirista’s actions. In the context of class he also talked about safety and being “calma” (calm) during one’s practice, and I would add, throughout one’s life.

In terms of physicality, Mestre Renê’s class demonstrated that Capoeira Angola is not easier than other styles of Capoeira. While it places less emphasis on acrobatic movement, it is no less demanding in terms of the dexterity, agility, balance, and strength that it requires. Thus, the movements were physically and mentally demanding. Also, like all Angola styles, his was a grounded form of Capoeira wherein we spent most of our time on the floor and a good amount of that time inverted. Further, his approach to teaching emphasized the dynamic and interactive corporeality of Capoeira–the dynamic exchange of movement and intention inherent in the jogo, the game of Capoeira.

Lastly, the energy of the class was phenomenal. In the roda, Mestre Renê demonstrated that Capoeira is about warriorhood–about facing the challenges of life and living head on. Also, the atmosphere of the class, the community which pervaded the group was palpable. This also reflects the point that one enters into the practice of Capoeira via physical movement, but movement should not be perceived as the totality of the art. It is a practice focused on preparing one to experience life itself.

Capoeira is a means for a fuller realization of ourselves

We approach Capoeira as a tool of ancestral remembrance–a ritual that reminds of the struggles of our ancestors. We find in its physicality a comportment that is dynamic and creative–a combative genius that lends itself to a game that is both wonderful and challenging, and a fight that is unpredictable and powerful. Capoeira is a means for a fuller realization of ourselves, that is, it teaches us a way of being present in the world that draws on the strength of our ancestors, applying this ancient wisdom to the challenges that we face today.

Inoculation against mis-orientation

At the heart of the problem is our fractured sense of cultural identity. Many of us see ourselves as Black, unmoored from any kind of ancestral foundation.

Afro-Brazilians emphasize their ancestral inheritance from the Kongo, Yorùbá, and to a lesser extent Gbe-speaking peoples. Haitians note their connection to Kongo and, again, Gbe-speaking peoples. Even in this country, there were times where our connections to Kongo, Igbo, and Mande-speaking peoples were quite salient.

I think that such a sense of ancestral identity is quite valuable as a means of anchoring oneself. It enables us to see ourselves as (A) Africans/Blacks in the US, (B) whose culture and traditions rests upon the foundation of many African ethnicities, (C) which are themselves emergent from a continuum of African historicity stretching back millennia. Such a grounding should be sufficient to inoculate us against the kind of cultural and historical mis-orientaiton which is ever-fashionable amongst some of us.

Spirituality and revolution

There is an imperative for social change that is articulated in the spiritual systems of many African cultures. The demands for honesty, righteous character, service to one’s community, frugality and restraint, reciprocity, discernment, and sacrifice are not merely matters of personal, spiritual cultivation. Nor are they born of a lack of concern for the physical world that we inhabit. These are commitments that require a parallel commitment to self-transformation and the revisioning of the world.

For instance, to be mAa xrw (true of voice) in a world awash in the currency of lies can be costly. But this is a necessary disposition if isft (wrong-doing) is to be appropriately understood and corrected. To strive towards the practice of mdw nTr (divine speech) is not only a matter of seeking to build bridges between the kmtwy (African/Black people) of the present world and the deep thought of their ancestors. mdw nTr, as a body of living practice, requires that the world be refashioned wherein alienation is not an inevitable outcome of the human condition.

There are other, innumerable examples, but I submit to you that only WE can save us, and that our culture is one of the most underutilized assets in this struggle.

Nature, humanity, and the divine

A few days ago I posted something about the implications of the desacralization of nature and the erosion of humans’ relationship with it. I was happy to see that this topic was recently addressed on the Medicine Shell. The reality is that not only was Africa historically wealthy in terms of our ancestors’ knowledge of nature, but also their ability to apply such wisdom in ways which were sustainable. The loss or suppression of this knowledge vis-á-vis enslavement, colonization, globalization, and modernization–all processes of westernization–have not only attenuated our connection to the natural world as a people, but have limited our consciousness to a paradigm of life where nature is seen only for its extractive, instrumental value–a form of relation that has and will continue to be disastrous for humanity.

To be African is the revolutionary act of our time

One sees movements of re-indigenization occurring all over the world. Herein groups seek to reclaim cultural and historical knowledge lost as a consequence of colonization. These movements rest upon a foundation of clarity about who they are and who their ancestors were. In fact the effectiveness of such movements rely upon both the coherence of their cultural orientations and the institutional capacity (i.e., power) that they can effect to sustain and expand this endeavor.

Due to a variety of factors, internal and external, some of us (African/Black people) are often bereft of such clarity. The resulting cultural mis-orientation does not simply produce a multiplicity of perspectives, but ultimately results in confusion, which denies us the necessary unity that can be marshaled into augmenting our structural capacity (i.e., power).

The historical subjugation of our ancestors and the resulting cultural suppression which was employed as an instrument control has left lasting fissures in our identity. Further, the imposition of an alien worldview, whether through language, religion, social organization, and so forth effectively orients many of us to seek our identity within the strictures of the Eurasian paradigms that surround us, rather than outside of them. Herein, our African ancestry is regarded with shame, ambivalence, and for the truly lost, denial and rejection. As such there are those who would contrive all manner of fantastic tales that would make us everything and anything but African. The denialist propensity for myth-making is reflected in the Swahili proverb which states “Habari ya uwongo ina ncha saba.” This is translated as “A false story has seven endings.” This means that a lie, because of its avoidance of the true, must endlessly morph to sustain itself in the face of the truth. The beauty of historical truth is that it requires no such fabrication. An Akan proverb states “Nokware mu nni abra,” which translates as “There is no fraud in truth.” This is because it rests upon a foundation of surety.

There is little power that can be derived from our forays along contrived paths. These may have an ephemeral effect for some, but the falsehoods and mis-orientation that undergirds them undermines the necessary unity needed for us to transform our condition the world over. To be African is not only an acknowledgement of our ancestral identity, it is also a political assertion of connection to our ancestors and our resolve to restore that which has been taken from us. The embrace re-Africanization enables us to draw upon the vast wisdom and knowledge of our ancestors, wherein their strengths become our own, and become instruments that we can use to heal and empower ourselves in the present.

Mama Marimba Ani says that “To be African is the revolutionary act of our time.” She maintains that such an identity tells us not only who we are, but how we must exist, and what we must do. She recognizes that the foundational clarity of our ancestral identity necessarily orients us towards certain political objectives including the transformation of our minds, our communities, our societies, and–ultimately–the world, because to truly be African in the most expansive sense of social possibility requires the nullification of those forces inimical to Africa and African people. There is no other identity that orients our people, both towards such an expansive vision as well as to our peoplehood as its highest form of expression.

Culture and Freedom: The imperative of Re-Africanization

I often say that of all our strivings the most consequential are the reclamation of our culture and the restoration of sovereignty. Here I am not presenting these as de-linked or sequential processes, but rather as processes which are inextricably linked and concurrent. As Dr. Jacob H. Carruthers has written, “The process of Africanization and transformation cannot be separated neatly into two stages-they overlap. To transform the world according to an African-centered worldview means establishing a new African culture and a new African world civilization.” In fact, it is our culture that provides the basis for our efforts to actualize sovereignty. Here I will offer a brief summary of its significance.

Before preceding, it is necessary to define culture. Culture consists of the totality of human thought and action. It entails our concepts and behavior. It includes our creations, be they physical or non-physical. As such, culture includes abstract notions such as “freedom”. It also is the process that we execute in its pursuit. In fact, culture, in its totality, determines the very parameters of both concept and process. Below I offer three areas wherein African culture is both valuable and important in our live.

First, culture is the basis of identity. It tells us who we are and who we must be. Given that culture is the product of peoples, that is a culturally distinct collective, it is the sum of their traditions, and expresses their worldview. Our culture, African culture, grounds us in an understanding of who we are as African individuals and orients us towards our people, their past and future. Thus, it must be noted that identity within the traditional context was not solely an individual matter, but rather found its basis within the group’s consciousness and experience. Naming traditions, rites-of-passage, and other processes served as anchors of such a collectively-oriented identity. Often the individual would be given a name (or names) that would serve as anchors of this identity. Divinatory rituals might be used to reveal their unique destiny, which was never solely concerned with them as singular entities, but rather their purpose within the larger community.

Herein, only one’s own culture is capable of fulfilling such a role, as only one’s own culture can anchor one’s identity within the collective experience of their people, thus providing the framework wherein their own individual expression emerges. To base one’s identity on alien paradigms is to be culturally mis-oriented, which in the African worldview represents one’s estrangement from the ancestors, the community, and ultimately oneself.

Second, as Dr. Marimba Ani has noted “culture carries rules for thinking”, thus culture is the basis of consciousness. This means that all modes of thinking, all modes of conceiving reality are essentially based in culture. To be African and to be estranged from your culture is to navigate the world with an alien worldview. This means that not only do we perceive the world through a lens that is ultimately alien to us, this framework constrains what we see and what we do. Thus no people can truly free themselves on the basis of an alien worldview. They can create political and economic changes, but those changes merely serve to concretize systems based on the conceptual and social traditions of other peoples, rather than their own. The fruits of such labor is impoverished as it never allows them to draw fully and deeply from the “deep well” of African thought and to create a world based on the wisdom of our ancestors.

Third, culture is the foundation upon which all social organization exists. Thus when we look at the social systems that have been devised to maximize the misery of African people, whether it is the system of de-education and mis-education which serves to nullify our capacity to attain a critical consciousness, or the system of coercive control which surveils, represses, detains, and executes African people, or the system of capitalism which has enshrined avarice as  the highest expression of human striving and has based its accumulation on incessant violence for centuries we must recognize that all of these are reflections of a worldview, one which is both alien and antithetical to African life–and in truth to all life.

When we embrace our culture we are then able to draw upon our traditions for models of excellence. Such knowledge enables us to glean the insights of African people regarding such challenges as the socialization of African youth into healthy standards of adulthood, or to understand the dynamics of social life in the traditional society that strove to negate alienation and to implement these knowledges as the basis for a restored sense of community, or to draw upon African models of economic development–models that at their best prioritized human flourishing above profit.

Therefore, when we are advocating for re-Africanization or sankɔfa, that is the reclamation of our culture, we are insisting on the reconceptualization of identity from the atomistic individual and the coercive hyperrelativism associated with it, to a more expansive sense of the self, one that finds its basis within the best of one’s traditions, one that derives its purpose from such communal concerns. We are also seeking to free our minds from the “conceptual incarceration” of oppressive and alien paradigms. Just as the maroons provided an audacious example of struggle during the era of enslavement, it should be noted that their resistance was grounded upon a rejection of the European worldview and any notions of legitimacy wherein they could only exist as chattel.  In seeking to actualize their sovereignty, and in ensuring the survival of their culture they demonstrate of power of minds decoupled from the locus of European control. Finally, when we cease to gaze upon European (and other) institutions as universal or optimal models for African people, we are able to draw upon and apply the wisdom of our ancestors to our efforts to actualize a future based on the best of who we are, upon our image and interests as a people.

Ultimately we must recognize that freedom on the basis of an alien culture is unattainable. At best it represents a slight adjustment of the locus or methods of control. African freedom must be conceived upon, strove for, and actualized on the basis of an African worldview if we are to be sovereign in all domains.