Reflexões de Salvador: Saturday, August 9, 2025

Museu Nacional da Cultura Afro-brasileira.
We set out on Saturday to visit our second museum, the Museu Nacional da Cultura Afro-brasileira. This was an excellent trip that featured art from Projeto Afro–an exhibit that focuses on works from various Afro-Brazilian visual artists. The pieces were very moving and included works in multiple mediums–paintings, sculptures, and audio-visual performance. Themes of history, resistance, exclusion, colonization and decolonization, and societal progression and regression were all explored.

Some particularly compelling works that I saw were sculptures by Rubem Valentim and Mestre Didi and paintings by Guilhermina Augusti, Massuelen Cristina, and Moisés Patricio. These pieces explored African and Afro-Brazilian spirituality, aesthetics, as well as histories of racialized subordination and resistance.

The other major exhibit titled, “Òná Írín: Caminho de Ferro” was a collection of sculptures by Nádia Taquary that explored various themes related to Ogum, the Orixa of iron, warriorhood, technology, and the forging of the path. It featured various visually striking works including a statue of Mami Wata and an oríkì (a praise poem) to Ogum.

Memorial das Baianas
We also visited the Memorial das Baianas, a small museum located in Pelourinho near the Elevador Lacerda. This museum focused on the role of Afro-Brazilian women within their cultural traditions. Exhibits explored the history of Black women going back to the era of enslavement, their roles as keepers of tradition, in addition to their labor and economic impact. Further, there were beautiful representations of traditional clothing from across time that were also displayed.

Reflexões de Salvador: Friday, August 8, 2025

On Thursday, August 7, 2025, my wife and I arrived in Salvador, Bahia. I went there to study Afro-Brazilian history and culture generally and to augment my knowledge of Capoeira specifically. While I had been to Brazil prior to this trip, this was my first trip to Bahia and my wife’s first trip to Brazil.

Our agenda was, over the next seven days, to visit several museums and cultural sites. Additionally, I hoped to have the opportunity to visit the academies of several mestres to deepen my knowledge of the movement, music, philosophy, and history of Capoeira.

Friday, August 8, 2025

Casa das Histórias de Salvador
Our first museum excursion in Salvador was to the Casa das Histórias de Salvador to see an exhibit on the Malê Revolt. The museum contained exhibits on the history of Salvador, from colonial times to now. Herein, the history of Afro-Brazilians in shaping the city and its culture were indelible.

One of the highlights of the museum was a film on the Orixá tradition, specifically the various religious festivals that take place in Salvador. This film was colorful and celebratory, highlighting the female orixá and their significance to life and community.

The top floor contained the exhibit about the Malê Revolt, a rebellion that was staged in Salvador in 1835, and was initiated, primarily, by muslims who were members of the Hausa ethnic group. In some ways, the exhibit was as much about the history of the revolt as it was a space for artists to reflect on the meaning and symbolism of the revolt itself. Historical events provide ways to examine key cultural themes and ideas, particularly those which are illuminated by the incident itself. To this end, there was a timeline of the revolt, along with other elements about its historical impact, (some of which were shared in other parts of the museum). However, most of the pieces were creative interpretations of Afro-Brazilian resistance and resilience.

There was also some brief discussion about the role of Islam during the revolt. This included references to the use of talismans containing Quranic verses, the use of Arabic script in the rebels’ communications, and so forth.

Overall, the exhibit was a good reminder of the intimate relationship between oppression and revolt–that the former almost always engenders the latter. Further, it demonstrated the ways in which African people sought to adapt their cultural knowledges to resist European domination. Lastly, it expressed the unfinished nature of this and many other struggles focused on the redemption of the African world.

Monumento Arena da Capoeira
As we were riding in an Uber the day before, we happened to notice a very large collection of sculptures situated around a large sphere representing Capoeira. Thus, after visiting the Mercado Modelo on Friday, we paid a visit to this space–which is just across from the market.

Completed in 2024, the Monumento Arena da Capoeira is a large spherical object encircled by statues of eight Capoeira masters: Mestre Besouro, Mestre Bimba, Mestre Caicara, Mestre Canjinquinha, Mestre Gato Preto, Mestre Noronha, Mestre Pastinha, and Mestre Waldemar. At its center is an elevated, circular platform featuring statues of two additional masters, Mestre Aberre and Mestre Totonho, playing Capoeira. It is a beautiful monument and a fitting homage to the legacy of these great teachers.

Malcolm X’s Unfinished Work

On this day, February 21, in 1965 Malcolm X was assassinated. He was a man who reflected a world encompassing vision. He was concerned not just the plight of Africans/Blacks in the United States and our right to sovereignty and self-determination but also was an ardent critic of colonialism and its denial of these same rights to the global south.

In many ways, his death proved futile as a means of suppressing his vision. The Black Freedom Movement became considerably more radical after his death, as various formations focused on core positions of his, such as territorial sovereignty, cultural reclamation, and revolutionary struggle–all of which were outgrowths of his lifelong commitment to Black nationalism. Further, and largely due to his influence, the vectors of Black consciousness were irrevocably changed, which is evident by the continued interest in his legacy and ideas over the decades since his death.

It should be noted that Malcolm was not an advocate of superficial notions of change, the kind that were fashionable in his day and again in ours. He was an ardent critic of those who would pose tokenism and assimilation as solutions to the global problems that our people face. These are, in his view, simply forms of surrender. He recognized that power was the answer to our problem–power over our collective destiny as an African world.

The struggle that he was engaged in is on-going. His work remains unfinished.

Kuumba

“Take what you do best and do it for your people.”
-Dr. John Henrik Clarke

The best of ourselves should always be used to uplift our people. The sixth day of Kwanzaa focuses on the principle of Kuumba (Creativity), which encourages us “To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.” This principle reminds us of the importance of using our talents, skills, and intellect to improve the condition of our community, recognizing, as the Ewe proverb says, that “Your goodness is not for yourself but for others.”

Nia

“When a people lose the knowledge of who they are, that is, their culture, they lose the very foundation upon which their individual existence and their society is based. To combat this loss, each African person must be equipped with a ‘Grand Vision of the Future,’ a vision extending beyond personal interests such that this vision becomes the embodiment of the vital interest and moral centerhod of the entire African World Community. I refer to this vision as The African Principle.”
-Dr. Anderson Thompson

In our ancestral paradigms, the purpose of life was inextricably linked to the collective good. The fifth day of Kwanzaa focuses on the principle of Nia (Purpose), which encourages us “To make our collective vocation the building and developing of our community in order to restore our people to their traditional greatness.” This principle reminds us that in African traditions, the purpose of human existence is to to contribute to the betterment of one’s community. It also encourages us to study the past and to use it as a standard for excellence.

Ujamaa

“The philosophy of black nationalism involves a re-education program in the black community in regards to economics. Our people have to be made to see that any time you take your dollar out of your community and spend it in a community where you don’t live, the community where you live will get poorer and poorer, and the community where you spend your money will get richer and richer.”
-Malcolm X

An economic system provides for the material needs of a community. The fourth day of Kwanzaa focuses on the principle of Ujamaa (Cooperative Economics), which encourages us “To build and maintain our own stores, shops and other businesses and to profit from them together.” This principle compels us to seek to control the economies of our communities and societies. Economic dependency is a basis of enslavement. True sovereignty requires that we provide for our own needs to ensure a prosperous future.

Ujima

Akpata na abọ di mma nkụkọta.
“It is good to join two brooms together when sweeping.”
-Igbo proverb

Cooperation is the lifeblood of community. The third day of Kwanzaa focuses on the principle of Ujima (Collective work and responsibility), which encourages us “To build and maintain our community together and make our brother’s and sister’s problems our problems and to solve them together.” This principle teaches us that our obligations are not limited to ourselves, but that they extend to our community as a whole and our collective well-being.